This is something I created last summer to help
with teaching instrumental lessons this year.
Students really DO NOT know what methodical,
effective practice is. I list my thoughts below
and ask for YOUR feedback as well as I go into
teaching next year:
What Exactly is Good Practice?
Example #1
Jane liked to be the best at everything. She
signed up for trumpet in 4th grade and was excited
to get started at Wampus. After her first group
lesson at school, she raced home, put together her
instrument and practiced all night. She had a
great sound on the low notes, but she struggled to
produce the higher notes the way her teacher at
school had instructed her. She worked on all of
her songs, but whenever a high note occurred in
the song, she skipped over it and went to the
place in the song where the low notes occurred.
After all, she was good at the low notes¡Xshe
liked
playing them. Her teacher told her though that
she needed to work on higher notes at home, but
she avoided them because they were very
difficult. She practiced 45 minutes a day and
came into lessons with the highest amount of
practice every week, yet after awhile she found
that she was behind in class. The other students,
who practiced only 20 minutes a day, could play
more than her and could play higher notes more
easily. Jane became frustrated, and eventually
she quit, even though she ¡§practiced¡¨ more than
anyone in the 4th grade.
Example #2
Ethan was a naturally talented clarinet player.
Everything came easy to him. His sound was big
and round on the clarinet and his fingers worked
faster than almost anyone. He found that he
didn¡¦t even need to practice as much as the
others
and he was still the best player in the class. In
lessons he received a zero for his practice grade
every week, but he thought to himself, ¡§Why
should
I practice when I can play better than anyone in
my class? I¡¦d rather be doing something a lot
more fun like playing video games.¡¨ And so he
did¡X
he played video games for an hour each night after
he got home from school. After awhile though, the
music became more difficult in lessons. He
couldn¡¦t play everything that the other students
played on their clarinet, and since he only
practiced only 10 minutes a week (whenever he felt
like playing for a little), he lost interest in
the clarinet. He kept playing into 5th grade, but
10-15 other clarinet players became much better
than him.
Example #3
Barney liked the flute, and he was very neat in
writing down the practice assignment every week so
that he could practice at home. He sat down in
his quiet place at home and went through the
assignment quickly. If there were three things to
do for his assignment, he would play those three
things and be done in less than three minutes.
Sometimes he would play things right, but most of
the time he did not play things right. In fact,
it often was downright ugly! ¡§Oh well!¡¨ Barney
thought. ¡§At least I¡¦m practicing at home!¡¨
Example #4
D.W. was not very good at trumpet when he started,
but he sure liked playing the instrument. The
first couple of lessons he could see that he was
probably the worst player in his lesson group. At
the end of the second lesson he ran out into the
hall and cried. ¡§I¡¦ll never be good at this
instrument!¡¨ he said. His teacher found him and
talked with him. ¡§Don¡¦t give up yet, D.W.!
You¡¦re doing fine! Just be consistent at home
and
work on the things that are hard for you.¡¨ D.W.
went home and set his mind to become ¡§better¡¨ on
his instrument. He was not very good at
remembering the fingerings, so he worked on these
at home. He also was not very good at playing
higher notes, but he worked on them every day,
slowing down at times to make sure he was playing
correctly. Some days he really didn¡¦t feel like
practicing, but he practiced anyway. Some days he
did really well, and other days he played very
poorly, but he kept working on those things that
were difficult for him. Over time he found that
he was playing much better on the trumpet. He
became the best player in class by the end of 4th
grade, and other students were amazed at his
progress, especially since he only practiced 20
minutes a day four or five times a week. For his
5th grade birthday he received an audio tape of a
famous trumpet player playing really amazing
trumpet music. D.W. loved the trumpet after
hearing this, and he began to practice even more.
He became the best high school trumpet player in
Colorado when he was 15, and he won a scholarship
to a music college. He won many trumpet
competitions, played in many professional
orchestras and eventually became a music teacher.
* * * * * *
The main goal of practice is to become better on
your instrument. To do this is not automatic.
Some students "practice" an hour a day, seven
days
a week and get nowhere on their instrument.
Good practice is NOT going home, pulling out
your
instrument, and playing whatever comes out (and
then being done). This is making noise!
Good practice is NOT playing the things that are
easy for you while neglecting the hard things.
Good practice is NOT playing your instrument one
day for 80 minutes and then not playing the other
6 days. This will not make you a better player.
Musicians who become good (or great) on their
instruments do at least three (3) things well when
practicing. These are GOOD practicing habits you
can develop at home:
1. REFLECT - To reflect means to think about what
you just played. You ask yourself questions: How
did it sound? What should it sound like? What
did I do well? What needs work? Why doesn¡¦t
this
sound right? What did my teacher say I should do
if I encounter this problem? When you reflect,
you are being honest as a musician. It may sound
great, good, or terrible.
2. REVISE - To revise means to change or correct
something. If something is wrong, you should try
to fix it and play it better. This is a difficult
thing to do at first because you will find
yourself working on those things that are hard for
you to do. Are you willing to work? This may
mean taking a small section of your music and
working on it until it becomes better (or
perfect!). It may mean slowing the music down,
looking up fingerings, or clapping the rhythm of
the music, or singing the melody before playing it
again. If you are willing to say you made a
mistake, and if you are willing to take the time
to correct it, you are on the right path to
becoming better, especially if you do this:
3. REPEAT - This means that you play something
over
again correctly, perhaps four or five times. It
is not good enough to see an error you made while
playing and then play that music over again
correctly only once. Your brain and your body
need to repeat something correctly several times
before it becomes something you do all the time.
You know you have your music down pat if you can
play it through perfectly four or five times in a
row. Repetition is absolutely essential to become
a player who plays well all of the time!!
WARNING: Make sure though that when you do this
step you are playing the music correctly when
repeating!!